Saturday, August 13, 2005

Woods used in guitar making

Ash
There are two very different types of Ash, Northern Hard Ash and Southern Soft, or Swamp Ash. With its density, the tone is very bright with a long sustain. Swamp Ash is a prized wood for many reasons. This is the wood many 50's Fenders were made of. It is easily distinguishable from Northern Ash by weight. A Strat body will be under 5 lbs. This is a very musical wood offering a very nice balance of brightness and warmth.

Alder
Alder is used extensively for bodies because of its lighter weight (about four pounds for a Strat body) and its full sound. Its closed grain makes this wood easy to finish. Alder's natural color is a light tan, with little or no distinct grain lines. Alder has been the mainstay for Fender bodies for many years. It looks good with a sunburst and in solid colors

Basswood
The color is white, This is a closed-grain wood, but can absorb a lot of finish. This is not a wood for clear finishes, and it is quite soft, not good for much abuse. Sound wise, Basswood has a nice, warm tone.

EastIndianRosewood.jpg (12635 bytes) Rosewood
The traditional and most revered wood for guitar back and sides is Brazilian rosewood. This wood has a beautiful rich variety of brown and purple colors in it, and makes a warm rich sounding guitar with great resonance and volume. However, Brazilian rosewood is no longer available in commercial quality or quantity.

FlameMaple.jpg (12090 bytes) Flame Maple
Maple comes in a variety of grain patterns. Two of the most popular are quilted and flame. Quilted catches the rays of light in a more circular pattern whereas flame reflects light in long streaks. Maple gives a bright sound with great punch in the lower (5th and 6th) strings. Maple is very strong and a bit heavier than mahogany. It is also a good choice for necks.

Koa.jpg (17741 bytes) Koa
This very beautiful wood comes exclusively from Hawaii and has been in short supply. Weight varies somewhat from medium to heavy, a good wood for basses. Koa has a warm sound similar to mahogany, but with a little more brightness. Like walnut, this wood may be oiled, but generally will look its best sprayed clear. Koa is sometimes available in flame figure.

Korina
True name is White Limba, from Africa. Used in Gibson's Explorer and V's. A medium weight wood similar to mahogany.

MacaasarEbony.jpg (9533 bytes) Ebony
Ebony, when not used in pianos, is a great material to use in fretboards. The wood is extremely strong, bright, and durable. .

QuiltedMahogany.jpg (8052 bytes) Quilted Mahogany
This is a fine wood with good musical properties, the tone is warm and full with good sustain. Weight-wise, mahogany is mid to heavy with a Strat body averaging 5 lbs. or more. The grain is easy to fill although not particularly good looking for clear finishes.

SitkaSpruce.jpg (7461 bytes) Sitka Spruce
The most common spruce these days is Sitka, which comes from the west coast of the United states and Canada. Because it is still plentiful and the trees are huge, it is still possible to get wonderful Sitka spruce. It makes a very strong, loud guitar which has a balanced resonant sound with good sustain. Sitka shows a very strong tendency to improve with age.

WesternRedCedar.jpg (11331 bytes) Red Cedar
It makes a very rich warm guitar with good definition, and a very immediate sound. It is generally not well suited for vigorous attack and wide dynamic range.


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